Analysis Of The Film ' On The Waterfront ' Essay. 733 Words 3 Pages. Show More. In 1954, the film “On the Waterfront” by Elia Kazan was released. “On the Waterfront” tells the story of a man bringing down a corrupt union boss along the docks of Hoboken, New Jersey. Kazan uses the film to paint a vivid picture of the waterfront as a space distinctly unique from other spaces in America.
Plus, what's happening on the waterfront isn't just human wickedness and corruption and murder—it's also courage. Terry's courageous walk happens on the waterfront, and so does Father Barry's stirring speech about Christ. The waterfront's a place of conflict; a place where human destinies are being shaped and characters are being tested.
While the image of Marlon Brando in the film has become an icon of 'the fifties', On the Waterfront relates most strongly to the post-war decade that preceded its release in 1954. Context is provided by three interrelated circles of events, the first of which is the ideological and cultural conflict that dominated the late forties and early.
On the Waterfront was released in 1954. The film received eight academy awards securing it’s place as an American cult classic. The film is about Terry Malloy (Marlon Brando), a young boxer-turned longshoreman who struggles to stand up to the corrupt Dockers Union with the help of Edie Doyle (Eva Marie Saint), and Father Barry (Karl Malden).
The notion of family loyalty is displayed throughout the film as a driving force to override corruption, the workers on the waterfront can be considered a family as their struggle from corruption forces them to on each other for survival. The loyalty between the shore men’s families grips Edie as her Brother Joey’s murder increases her.
On the Waterfront is a film that is as problematic as it is extraordinary. It carries with it an interesting history which has, over the years, affected the way people have responded to the film. On the Waterfront encourages different and conflicting interpretations, with its controversial ending being a particular source of debate. This study.
Love film but don't know how to analyse or discuss it? In this Guide, we give you the toolkit to identify and discuss those must know film techniques. Literary Techniques Toolkit. Visual Techniques Toolkit. English Grammar Toolkit. Films take us on journeys; we become immersed in worlds beyond our own. The best films lead us to ask questions.
The bad boys in On the Waterfront aren't Robin Hoods—they're not cartoon foxes that rob from the rich to give to the poor and win the hand of an alluring girl fox. Far from it. They rob from the rich and the poor. It's a rip-off bonanza down at the waterfront, where the corrupt union gangsters exploit the longshoremen and take sizeable cuts of their money, while staging walkouts in order.
Conscience. That stuff can drive you nuts. So says Terry Malloy, the longshoreman who testifies against his union in “On the Waterfront.” The line, said by Marlon Brando, resonates all through the picture because the story is about conscience--and so is the story behind the story.This was the film made in 1954 by Elia Kazan after he agreed to testify before the House Un-American Activities.
On the Waterfront essay. Place an order. On the Waterfront commences by introducing a distinguished group of corrupt small racketeers that always run the many docks of Hoboken, in New Jersey, passing across the rivers from famous Manhattan. Terry Malloy is an inarticulate and former prizefighter who was in his late age of the twenties. He comes out as a petty and renowned errand young man for.
Reduced to its basics, On the Waterfront is a morality tale about how corruption can (indeed must ) be fought and defeated when a man of courage and conscience emerges from the crowd to oppose the corruption. Although the narrative progresses in a linear manner without flashbacks and subplots, the power of the film is announced from the opening scene, with its assertive orchestral percussion.